Chromatic

Index
Season  3



E.24      CW x Postklub Satellite
E.23      A Desperate Vitality
E.22      On the Verge
E.21       Some of Hell Is Born of Good Manners
E.20      Talking Nature
E.19        Invisible to the Eye
E.18        Uncomfortable Utopia
E.17        Belonging
E.16        Collective Utopias
E.15        The Questionarch Solidarity Walk and Fundraiser and FEED
E.14        Light Exciter
E.13        Dare You Say: Game Night
E.12        Enigma
E.11         Chronicles
E.10        Equal Distance
E.9          Syntax
E.8          Spectrum
E.7          Gelgit
E.6          Of Memories and Dreams
E.5          Refuge Worldwide presents «Parallels»
E.4          Trembling Ground
E.3          Tumultuous
E.2          Sketches of Eastern Ukraine
E.1              E.1           Thinking about the Meanings of the Archive

Se    
Season 2


E.24      110 × 3:33:08
E.23      Glaring Light
E.22      She-Pigeon
E.21       Presence of the Absent
E.20     Sunken Temple
E.19        Cinema of Cockaigne w/ anorak
E.18       Anatolian Leopard
E.17       Phantom Power & Eribòz
E.16        Maths, Euphoria, and Misinterpretations
E.15        Rockingdesk & Fine Tuning
E.14       «Chromatic Wednesdays» in collaboration with Hive International  Short Film Days  Berlin
E.13        Offseeds present  «Tales of Extinction»
E.12        The Matter of Memory
E.11         A.I.D and abet! #3
E.10        Anthony Hüseyin – Project O: «Yıldızların Altında» Release
E.9          MitEinAnder – an exploration
E.8          Troubled Relations
E.7          The Ruins of Empire
E.6          Wanderings Through Uncertainty
E.5          The Hungry and the Restless
E.4          Haunted / Desert
E.3          Looking Back and Moving Forward
E.2          Liquid Machine
E.1           Escargot à la Rostropovich!
             




Chromatic Wednesdays is a monthly interdisciplinary event series based in Berlin, organized by visual artist and filmmaker Emre Birişmen and sound artist Melih Sarıgöl. The series brings together various artistic practices, including performance, sound, moving image, and panel discussions, in thematically structured programs at different venues across the city. 

Chromatic Wednesdays, which previously centered around the Apartment Project space in Neukölln, will transition to a mobile and decentralized structure for its upcoming fourth and fifth seasons. This shift aims to encourage stronger collaborations, emphasize site-specific thinking, and build new connections that reflect the social and cultural fabric of Berlin.
             Team:                     Emre Birişmen – Project Lead / Coordination / Video Production
Melih Sarıgöl – Project Lead / Administration / Sound Production
Selda Asal – Lead Artistic Advisor
Berk Asal – Production / Administration
Gabriela Seith – Content Writer / German Translation
Merey Şenocak / Ece Gökalp / Gökçe Berndt / Soliane Malefond – Promotion / Social Media
Suat Can Beldek – Graphic / Webdesign
Beril Ece Güler / Cemre Bayatlıer – Production Assistant

2nd Season Advisory Board:                    Selda Asal, Valentina Karga, Florian Wüst, İpek İpekçioğlu, Steffi Weismann

3rd Season Advisory Board:                    Berk Asal, Anıl Eraslan, Zorka Wollny, Stéphane Bauer, anorak (Lukas Ludwig / Johanna Markert)
                Moderation:                    Erden Kosova, Şirin Fulya Erensoy, Florian Wüst, Nil Mutluer


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Wednesdays

Season 3
Episode 13

Theme: 
Position

9 August ´23


DARE YOU SAY: GAME NIGHT
Presentation of «Good Deed Bad Deed» by İpek Aşıkoğlu & İpek Çınar, followed by gaming
«Good Deed Bad Deed» is a board game created by artist İpek Çınar and legal academic İpek Aşıkoğlu that was presented at Chromatic Wednesdays. It encourages people to express their intentions and discuss their own positions in producing and presenting photographs, while addressing structural discrimination such as racism, sexism, ageism, classism and discrimination based on faith. Through hypothetical scenarios, the game challenges decision-making and judgment mechanisms in photography encouraging players to consider alternative perspectives.

After the presentation, the audience was invited to a game with İpek Aşıkoğlu and İpek Çınar. The participants were divided into groups of four. Those who came in a group of four could start right away and choose whether they want to play the role of the good-hearted or the devil, everybody’s darling or the fat cat. Everyone was welcome to join İpek Aşıkoğlu and İpek Çınar for an engaging evening of conversations about photography, agency, curatorial work and one’s positioning in the art field.

İpek Çınar (she/her) graduated from METU in Ankara in 2018 with a degree in political science and began her master’s studies in Art in Context at the Berlin University of the Arts in 2020. Working primarily with photography since 2011, Çınar tells stories that seek to convey an idiosyncratic language by blending photography with writing and research. In addition, she writes essays, interviews and articles and acts as a content advisor, especially for photography. Çınar enjoys the intersection of art and politics and uses play, joy and unexpected encounters as a means of expression for her projects. She had solo exhibitions at Poligon «The Shooting Gallery» in Istanbul and Ka Atelier in Ankara and has participated in numerous international group shows, residencies, workshops and festivals. Çınar is also a member of AICA Turkey, co-editor of Orta Format since 2015, and works in the field of anti-discrimination and social justice.

İpek Aşıkoğlu studied at the Faculty of Law at Istanbul University, completed her master’s degree in private law and is currently pursuing her doctorate. Aşıkoğlu, who worked as a lawyer for a while after graduating from the university in 2014, enjoys working in areas where law and innovation meet, and thinking about these fields. In 2018, her master’s thesis titled «Kişisel Verilerin Korunması ve Büyük Veri» (Protection of Personal Data and Big Data) was published as a book. Aşıkoğlu, who has published various articles in the field of personal data protection, also continues her studies in the fields of commercial and intellectual property law. She has recently become interested in the role of capital in the wind of sustainability.

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